It was a white rose
In mud and blood
cold and calamitous
It was a white rose
in nightmare
of not being
Wednesday, May 12, 2010
IT WAS A WHITE ROSE
It was a white rose
In mud and blood
cold and calamitous
It was a white rose
in nightmare
of not being
Monday, March 22, 2010
THE WALLS SNOW/BARFE HESSARI برف حصاری
MOJ SEVOM/THE THIRD WAVE
SURVIVED ANOTHER STORM
THIS WINTER...
TODAY SNOW
COVERED ALL THE WALLS
THE WALLS SNOW
on the white shoulders
of the wind
باز آمده ا ز توفانی دیگر
این زمستان ...
برف امروز
پوشیده دیوار ها را
برف حصاری
بر شانه های سپید با د
on the white shoulders
of the wind
باز آمده ا ز توفانی دیگر
این زمستان ...
برف امروز
پوشیده دیوار ها را
برف حصاری
بر شانه های سپید با د
Tuesday, December 22, 2009
MOJ SEVOM ,A RESURRECTION AFTER REGRESS
moj sevom/third wave poetry and resurrection of persian poetry after regress in Ghajar period and again experienced at our time,by convert poets ,in Iran and abroad.during immigration
http://www.mojsevom.blogspot.com/
see also: www.mojbook.blogspot.con/convert / anticonvert poets and poetry, a lost cause.
MOJ SEVOM POETRY DAY
moj sevom/third wave poetry day
mojsevvvom.org
...AND IT WAS LOTUS OF DAWN
WAVING AND AGAIN
WITH THE THIRD WAVE
MOJ SEVOM DAY/RUZ MOJ SEVOM
THIRD WAVE POETRY DAY
1 DAY 1366/DECEMBER 22,1987
THE DAY MANIFESTO OF MOJ SEVOM/THIRD WAVE IN CONTEMPORARY PERSIAN POETRY PUBLISHED IN DONYAYE SOKHEN LITERARY MAGAZINE ,IN TEHRAN
BY DR.FARAMARZ SOLEIMANI,
IRANIAN POET AND CRITIC
BY DR.FARAMARZ SOLEIMANI,
IRANIAN POET AND CRITIC
see also:faramarzsoleimani.com
moj sevom and waves of contemporary persian poetry
mojsevvvom.org
mojsevvvom.org
Thursday, August 13, 2009
7.MOJ SEVOM:POE/8 languagesشعرموج سوم به ۸ زبان
ESPERANTO/ENGLISH/FARSI/FRENCH/GERMAN/ITALIAN/PORTUGUESE-BRAZILIAN/SPANISH/
SWEDISH to be added
last modified 12222011
IT IS A WORD TO PRELUDE
IT IS WORD PRELUDE
from: REVERIES/ROYAIHA
FARSI:
پروانه بال می زد
در دست هاش
صورتکی باز می آمد
از پولک هاش
در گره سایه
گم بود شب
بی تاب شد بیگانه
در گردش گیسوش
پر شده بود
دست هاش
از پروانه
calligraphy and design by: moj
from: nocturnes of rock garden
A MULTILINGUAL BOOK OF POETRY
MOJ BOOK ,WASHINGGTON,D.C.,1999
*ESPERANTO
REVI DE PAPILIO:
Papilio
flirtita
en liaj manoj
Uno figurito
elmergigita
de scalej
En ligi de ombro
nokto
estis perditan
Nekonato
farigis senpaciencan
en la kubro de la nokto
liaj manoj
farigis plenan
de papilio
*FRENCH
REVERIE DE LA PAPILLON:
Le papillon
volettait
dans ses mains
Une figurine
nait
des ecailles
Dans le noeud de l'ombre
la nuit
S'impatienta
l'etranger
dans le cercle de la boucle
ses mains elant
pleines
du papillon
*REVERIE OF BUTTERFLY
ENGLISH:
The butterfly
fluttered
in his hands
A figurine
emerged from the scales
In the tie of shadow
night
was lost
The stranger
became impatient
in the curve of the night
His hands
became full of
the butterfly
*SPANISH:
La mariposa
volava
en sus manes
Una figura
nasci de
las escuelas
En el nude de sombras
se pedia
la noche
El estrangero
se impaciento
en el circulo del bucle
Sus manes
se llenan
de la mariposa
*IL SOGNO DELLA FARFALLA
ITALIAN:
La farfalla
volava
nelle su mani
Una figura
nasceva
della scaglie
Nello node del'ombra
si perdeva
la notte
S'impazientava
la straniero
nell'circolo dell'ricceolo
Le sue mani
si rimpievano
della farfalla
*PORTUGUESE-BRAZILIAN:
A BORBOLETA
TREMULAVA
EM SUAS MAOS
UMA FIGURA
EMERGIA
DE SEO PO
NO NO DA SOMBRA
PERDIA-SE
A NOITE
O ESTRANGEIRO
IMPACLENTOU-SE
NA VIRADA DA MADEIXA
SUAS MAOS
ENCHERAM-SE
COM A BORBOLETA
*SCHMETTERINGS TRAEUMEREIN
GERMAN:
Der schmetterling
flatterte
in seines handen
Eine figurine
estand aus
den schuppen
Im schatten gefangen
nacht
war verloren
Der framde
wurde ungeduldig
in der rundung seiner locke
Seine hande
waren voll
Schmetterling.
*SWEDISH
to follow
FORUGH FAROKHZAD
(forough farrokhzad)
painting by Hanibal Alkhas
هدیه
فروغ فرخزاد
ء
من از نهایت شب حرف می زنم
من از نهایت تاریکی
و از نهایت شب
اگر به خانه ام آمدی
برای من یک چراغ بیاور
و نگاهی
به ازدحام کوچه ی خوشبخت
*GIFT
I AM SPEAKING FROM DEEP OF THE NIGHT
FROM DEEP OF DARKNESS
AND DEEP OF THE NIGHT
IF YOU COME TO MY HOUSE
BRING ME A LIGHT
AND A WINDOW
TO LOOK AT THE CROWD
OF A LUCKY ALLEY.
Tr.faramarzsoleimani
*SHAPUR BONYAD;
#35 of :PIECES
and silence of dead will scare you
-HUSHANG IRANI
When did I see the islands of shadow?
Ghost in wild crooked
Under exhausted trees
Why I was scared of silence of the dead?
Me who knew
You will find the dark signs
And in your silence
The moment of sacrifice
Will end up this plant
...
FARAMARZ SOLEIMANI
فرامرز سلیمانی
از موج که زمزمه می کردند
ما موج ج دم می زدیم
در رویاهامان
موج ج ج
زاده شد
*THIRD WAVE
ENGLISH:
WHEN THEY WHISPERED
OF WAVE
WE BREATHED WAVVE.
IN OUR DREAMS
WAVVVE
WAS BORN.
*ESPERANTO
TRIA ONDO:
Kiam ili siblita
de ONDO
Ni enspiro OONDOO.
En nia revo
OOONDOOO
naskigis
Saturday, August 8, 2009
6.MOJ SEVOM:TARANEH,TASNIF,GHAZAL,SORUD/PERSIAN SONGS
PREFACEBOOK:
*modified 2.17.2012
از آوا و نوا تا نیماخوانی
Through Pre-Nimai Poetry of Constitutioal Revolution Period,Persian music and its lyrics also made a redefining point to expand the new discourse in modernity.At this time a remarkable contribution by poets functioned as a hallmark for the new trend and another pivotal level of vitriol for traditional minds.
Aref,Bahar,Lahuti ,amid a wave of fervor and enthusiasm for music,especially reflected on,and Ghamar as a performer,singer and social activist,as well was very much involved in gathering new audience.One may see similarities between this period and the era of people revolution in 1379/1979,which ironically revived and redistributed poetry and music of Constitutional Revolution era after within eight decades.
What the poets and lyricist looked for in the words,the musician searched in notes and tones to celebrate a social mood and uprising.A new season for Persian Classical Music Started side by side with poetry,literature and journalism.
Here are some of Tasnif,Taraneh,Ghol o Ghazal,Sorud and Avaz,also Ava and Nava,as we called our works during a two year نیماخوانی NIMAKHVANI or Reading Nima, that all might be gathered in one word: Song
It is metaphorically one meaning in the context of Iranian history and culture,to be seen as heritage to contemporary Persian Poetry and Classical Music,nowadays easily mingled and mixed.
--F.S.
مرغ سحر (تصنیف) - ویکیپدیا
*modified 2.17.2012
از آوا و نوا تا نیماخوانی
Through Pre-Nimai Poetry of Constitutioal Revolution Period,Persian music and its lyrics also made a redefining point to expand the new discourse in modernity.At this time a remarkable contribution by poets functioned as a hallmark for the new trend and another pivotal level of vitriol for traditional minds.
Aref,Bahar,Lahuti ,amid a wave of fervor and enthusiasm for music,especially reflected on,and Ghamar as a performer,singer and social activist,as well was very much involved in gathering new audience.One may see similarities between this period and the era of people revolution in 1379/1979,which ironically revived and redistributed poetry and music of Constitutional Revolution era after within eight decades.
What the poets and lyricist looked for in the words,the musician searched in notes and tones to celebrate a social mood and uprising.A new season for Persian Classical Music Started side by side with poetry,literature and journalism.
Here are some of Tasnif,Taraneh,Ghol o Ghazal,Sorud and Avaz,also Ava and Nava,as we called our works during a two year نیماخوانی NIMAKHVANI or Reading Nima, that all might be gathered in one word: Song
It is metaphorically one meaning in the context of Iranian history and culture,to be seen as heritage to contemporary Persian Poetry and Classical Music,nowadays easily mingled and mixed.
--F.S.
مرغ سحر (تصنیف) - ویکیپدیا
GHAMAR MOLUK VAZIRI,MOLUK ZARRABI,GISU SHAKERI
SHJARIAN,MORTEZA NEIDAVUD
*
*
~TARANEH MORGH SAHAR,BY: BAHAR
مرغ سحر
O BIRD OF DAWN
SING SAD
REMIND ME OF MY PAIN
WITH FLAMING SIGH
BREAK THE CAGE
AND FLIP IT
O TIED UP NIGHTINGALE
LEAVE THE CAGE CORNER
SING HUMANS FREEDOM SONG
SET ON FLAMES
IN A BREATH
MASS' FIELD OF THIS EARTH...
Tr.Farmarz Soleimani.
لاهوتی
~ABOLGHASSEM LAHUTI'S MIHAN EY MIHAN:
AREF: BAHARE DELKASH
عارف
.....
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