A short glance but not staring long at Henry Moore's naked truth , Hirshhorn Museum
MOJ SEVOM DAR SHER MOASSER IRAN -2/ شعر ایجاز
THIRD WAVE IN CONTEMPORARY PERSIAN POETRY -2
(excerpt&adapted)
The word is a hand tool and manual of poet.A raw material to crystalize and take shape in order to turn into a new form.This new form adds a new value and capacity to language and expands it to new dimensions.The poet is not a content consumer of conventional language.He is challenging and contending it to construct a living tool.He is thriving to expand it to the point that himself being added to the language with his ideas and images ,with his realities and dreams,with a choice among a collection of words to bring a vast image.A new living light beaming eternally on the road ahead.
Aphorism takes shape in the rush of moments,to crystalize word towards cutting a prism of things.
a prism of sight and sound in color.a prism of new world...
We recognized the word as poet's hand tool and manual to build this new world,his new world that is.with interfering in language and disrupting strict rules and regulations that is dictating : ghalat nanevisim!/do not write wrong!.This world is the world of poet
and extension of his hands and mind to find the names of things.There is no temptation for telling long tales.There are no long sentences to explain things to audience.There are no clear path
and extension of his hands and mind to find the names of things.There is no temptation for telling long tales.There are no long sentences to explain things to audience.There are no clear path
of raw material either.There is no fraud of pre-poetry poetry of faked senses and sexes and lies.There is no cliche of bedtime stories ,plays,movies and soap operas,rerun,translation of farsi to farsi,rewriting of good ole books,being unaware of prose poetry,and or schools of thoughts,theories and big ideas. In fact there is no poet and audience and now both sides are poet and audience, sharing eveything with everything and everyone ,but by merit and prosperity,in awareness and rapture...
WE SHOULD NOT MAKE A MISTAKE TO TAKE THE THIRD WAVE AS A TECHNICAL DISCUSION. ON THE OTHER HAND THIS DISCOURSE IS THAT MOMENTARY GLANCE-BUT NOT LONG STARING TO START A DECENT MOVEMENT.TO DISCOVER THE WORLD AND TIME AND BEING ,ANEW .THE ESTHETIC OF RECOGNIZING VIOLENCE TO NEGATE IT.THE ESTHETIC OF NIGHTMARE AND PHOBIA TO SET THE HUMAN BEING FREE.
THIS IS A DREAM MAKING WAY FOR MORE DREAMS.This is dreaming dreams.THIS IS A HAVEN FOR DREAMS IN A TIE OF IMAGES AND APHORISM.,INTEGRATED TO BE IN LOVE AND EXTEND LOVE TO OTHERS.
POETRY OF APHORISM AND POETRY OF THE THIRD WAVE/MOJ SEVOM ,AS EXAMPLE OF POETRY OF 1360'S/1980'S IS CONSIDERED A RENAISSANCE AND THE REAL BEGINNING POINT OF CONTEMPORARY POST NIMAI-POST MODERN POETRY IN IRAN
TO EXTEND TOWARD FUTURE GENERATIONS AND DECADES.IT IS A RENAISSANCE OF
DISCOURSE IN CONTEMPORARY PERSIAN POETRY TOO,IN A TIME OF SILENCE.
A SILENCE OF ELDER AND CONSERVATIVE POETS, BROKEN BY NEW MOVEMENT AND YOUNGER VOICES INFLUENCING OTHERS.
THIS DIALOGUE OF THE PAST TWO OR THREE DECADES OF THIRD EYE,A METAPHOR FOR SHER NAB/PURE WAVE IN 1350'S,AND THIRD WAVE/MOJ SEVOM IN 1360'S WILL BE OPEN AND WILL CONTINUE BY WORDWORKS OF THEORY AND ITS CREATIVE PRODUCTS IN FORM OF POETRY.PRO AND CON...
REFERENCES:
1360'S VOLUMES OF KETAB SOKHAN,ADINEH,MOFID,&DONYAYE SOKHAN...TEHRAN.
NAGHSH GHALAM,RASHT;REVIEWED FOR EXAMPLES OF POETRY ONLY IN THE PERSIAN TEXT .
REFERENCE OF THIS ESSAY:
FARAMARZ SOLEIMANI;,MOJ SEVOM DAR SHER MOASSER IRAN-2 , SHER IJAZ/POETRY OF APHORISM,
DONYAYE SOKHAN,NO.16,BAHMAN 1366/FEB 1987,PP.4-7
*SEE:MOJ SEVOM & SHER IJAZ ,IN FARSI/PERSIAN
on this site
ALSO WILL BE POSTED SOON:
FARAMARZ SOLEIMANI;SHER AZ CHESHM SEVOM/POETRY THROUGH THE THIRD EYE فرامرز سلیمانی : شعر از چشم سوم ،بنیاد،آبان ۱۳۵۷/اکتبر ۱۹۸۷
BONYAD,TEHRAN,ABAN 1357/OCTOBER 1978
ALSO WILL BE POSTED SOON:
FARAMARZ SOLEIMANI;SHER AZ CHESHM SEVOM/POETRY THROUGH THE THIRD EYE فرامرز سلیمانی : شعر از چشم سوم ،بنیاد،آبان ۱۳۵۷/اکتبر ۱۹۸۷
BONYAD,TEHRAN,ABAN 1357/OCTOBER 1978
published in FB
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